Snow On Tha Bluff, Immediate and Unrelenting, is unlike anything you'll see this year unless, of course, you live in the Bluff.

It's a relief that the filmmaker doesn't insist on a schmaltzy moral at the end of the tale, and even though it brings some hope in a new way. From there on, the film runs in a cinematic style, with the actor genuinely feeling like an amateur shooting his pals rather than a seasoned cinematographer faking it. The male in charge of shotgun tapes the entire experience, likely to tell his coworkers the insane shit they did that day. Snow on the Bluff isn't a record of actual events and scripted, instead a lo-fi indie film like The Blair Witch Project, according to the producer, who initially coy about what was real and what was scripted. Since the video is so raw, police in Atlanta claimed it was used as evidence in any criminal probes, they claim. The Snow on tha Bluff engineers disagreed with the thaber's logic. Often producers of feature films using a documentary's tools-hand-held cameras, jumpy cuts, ambient lighting, a fragmented story - all say they do so to approximate reality. They say medications kill you, he says to the camera, before arguing: They help you out. With years of intimate access experience, Chris is currently Directing his first documentary feature.Snow On Tha Bluff is a remarkably entertaining and moving portrait of a robbery boy and crack dealer a dope scene in the micro-indie/found footage scene, a jolt of, uh, dope culture. He’s worked for Emmy Award winning shows on A&E, Realscreen Award winners and his work has appeared on networks such as the BBC, VICELAND and Netflix.

He’s covered subjects ranging from dog fighting rings in the deep south, PCP manufacturing on the West Coast to gun trafficking up and down the “Iron Pipeline”. Chris made his transition into documentaries with National Geographic, working as a Producer on the highly- rated “Drugs Inc.” series.

It was acquired by Netflix and was Executive Produced by Michael K Williams. A writer for the The New York Times said “.without any introductory credits, this jolt of a film drops into a you-are-there crime scene… a riveting account of thug life.” Blending both narrative and documentary footage, this film premiered at Slamdance and gained a cult-like following. He arrived on the scene in 2012, Producing the crime drama, “Snow On Tha Bluff”.

∼hris Knittel is a documentary and indie film Producer.

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